Piranesi prison drawing series#

Piranesi (the book) is difficult to describe without making a mess of its intricate puzzling plot, but here there are also fantastical spaces that underlie the real and reflect it (or which the real reflects) in distorted and beautiful ways. Clarke’s title is merely a witty allusion, but it is incredibly suggestive.

Now we have Piranesi, a book that isn’t actually about the 18th-Century Italian artist known for his densely intriguing representations of weird (very weird) prison spaces where architecture ties itself in knots. It is a book about the magical things and impossible places that could lurk behind the dull everyday, notably a cold, surreal, sinister faerieland which the careless or unfortunate or power hungry might lose their way in.

Piranesi prison drawing series#

It was made into a TV series that preserved its wonderful strangeness. Neil Gaiman, a god among fantasy writers, called it “unquestionably the finest English novel of the fantastic written in the last 70 years”. In 2004, Clarke’s debut novel Jonathan Strange & Mr Norrell was published, a charming, dark, eccentric pastiche of Regency literature that defied expectations by going stellar and selling more than four million copies. Going to her looking for direction may be a waste of time, because even she might not understand them. Yet there is a sense that Clarke’s labyrinths aren’t meant to be solved, but rather dis-solve. “You start with an image or the fragment of a story, something that feels like it has very deep roots into the unconscious, like it is going to connect up with a lot of things,” she told The Guardian. In interviews, Clarke has attempted to engage in the contradictory act of explaining the delicate obscurities and puzzles that are at the heart of her writing. Why the funniest books are also the most serious For another, their influences converge in Susanna Clarke and her recent novel Piranesi. In our time, he has had a direct influence on writers such as Borges and Kafka and on filmmakers such as Terry Gilliam and Peter Greenaway.What could the conservative Irish-born writer CS Lewis (1898-1963), famous for the Narnia books, and the postmodernist Argentinian writer Jorge Luis Borges (1899-1986), famous for short stories that play in ‘labyrinths’ of meaning, possibly have in common? Well, for one, they share a fascination with impossible spaces and magical worlds. Indeed, Piranesi could be said to have shaped a whole strain of contemporary architecture, as well as the wider visualization of antiquity itself. In his own day, he was most celebrated for his Vedute, 137 etchings of ancient and modern Rome so renowned were these startling and dramatic chiaroscuro images, imbued with Piranesi's romantic feeling for archaeological ruins, that they formed the mental picture of Rome for generations after.

One the greatest architectural artists of all time, and certainly the most famous copper engraver of the 18th century, Giovanni Battista Piranesi (1720-1778) is most known for his terrifyingly original series of etchings of labyrinthine and megalomaniac prisons, Carceri d'Invenzione.

The great 18th century architectural artist and master engraver 'Piranesi was as savage as Salvator Rosa, fierce as Michelangelo, and exuberant as Rubens he has imagined scenes that would startle geometry and exhaust the Indies to realize.' -Horace Walpole